Art is culture. It has always been with Humankind. It is something that elevates humans. Society needs art. Artists are artisans who create beauty for the enjoyment of others. Art is established as an institution.
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Paintings, photography, sculptures, videos and installations.
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Female bodies are sensuous, male bodies are athletic.
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Although it looks like a different excuse if put into operation by a painter who applies colour to canvas or by a video artist applying and combining filters in editing software programmes, the output of both is legitimised by the same impulse. Actually it is very common for artists who are not satisfied anymore with this excuse for one kind of medium to turn and use the same excuse in another.
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This excuse saw the light of day with the advent of video art and music videos. It works in conjunction with virtually any other excuse that applies to video.
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Works that have a lot of merit. This excuse benefits from the value of the abandonment of life in favour of art.
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Confessional religious artists feel their works are legitimate if, by creating them, they serve God.
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The artist subject of the homage can either be local or remote in both time and space.
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Different media is made legitimate in different contexts but the principle to which they appeal is the same in all cases. Many times it plays concurrently with Gratitude (7) but Masters’ Strength gets its justification from singular unique works, often without direct acknowledgement of the master’s personality or legacy, but rather to their technique.
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All the works of art created by famous artists are legitimised immediately. The artist doesn’t even think it is necessary to legitimise the work.
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